The nib lays down ink, but the holder is what you wield. Any gear nut eventually seeks out the better mousetrap and lots of good holders are met on the road to discovery. Here are some of my own souvenirs.
The first oblique holders I ever used are from Paper & Ink Arts, the online mecca for all things calligraphy. I bought a pencil staff Bullock adjustable, and Chief Enabler loaned me the more refined Hourglass adjustable for a spell. Custom pen makers like Chris Yoke have praised these as the best production holders available and I have held custom pens that do not handle as well as these PIA stalwarts. The bonus? Neither will set you back more than $50, which is a great deal for a Bullock-flanged oblique. I converted these to oblique pencils, and you can see what they look like here.
The Curious Artisan (TCA) makes a Zanerian oblique from richly grained cuts of Bayur wood. The classic hourglass shape with its gracefully long tail casts an undeniably seductive pose. Like the PIAs, it wears a pinned Bullock-pattern flange. TCA’s pricing is well within the custom holder range, but they are better finished than some American or Asian custom pens I’ve seen. Hard to go wrong with any of the Artisan’s holders.
The newer Bolo is TCA’s expression of an ergonomic holder. This offering is made even more special by its material. The Artisan uses a precious stash of reclaimed centuries-old Golden Mahogany for my particular variant, further bolstering its cachet.
I have yet to develop a consistent grip with it but the times that I’ve held it as it wanted, it felt like an epiphany. Folks who are forever on the go will be pleased to learn that it easily fits into a pen case as compact as a Nock Sinclair.
In addition to keeping American cursive penmanship alive, Michael Sull turns holders in his Kansas workshop. His prices are in the $40 to $50 range, which makes these pens easy enough to afford. The varnished finish, maker’s brand, and handmade flange give his holders a rather rustic charm. The one I got is turned from canarywood, but Sull also uses other timbers and even spectraply. It’s best to email him to ask for photos of what he currently has in stock.
My copy looks quite simple but gripping it speaks to how a Master Penman knows what a proper pen should be. I can’t explain why or how it seems to feel so…right. All I know is that it does and as I hobble along Spencerian road, it is one of two that I am likely to reach for first.
Rodger Mayeda, an IAMPETH Penman from New Mexico, isn’t a high profile maker but his pens are truly top shelf. His Etsy shop, Rodger’s Pen Box, is the the only sales channel for his obliques. This cocobolo model is typical of his designs and is visibly slimmer than many of the holders out there. It does not feel intuitive until you actually read the instructions that Rodger includes with the pen. Once you grip it the way Mayeda suggests, hours of writing practice are easy to put in. Like Sull, he prices his holders democratically given the excellent woods he uses for his wares. His pens may lack flash, but they are some of the very best you will ever write with.
There are many skilled makers out there, each offering great pens. Pricing varies according to the materials used but you don’t have to break the bank to obtain an heirloom piece. For the price of a Lamy AL Star, you can get a well-crafted holder that even your grandchildren can learn with.
Have fun, and keep learning!
Update 6 July 2016: I took a class from a Master Penman just last week and he explained how a proper pen should be constructed. More on this in a another post but suffice to say, it is best to take a class before going wild on holders. There is a palpable difference between a pen that is almost right and spot on.